Task for XI IPA 1-4, while I'm OUT



TASK FOR XI MIPA 1-4 CLASSES
Instruction:
1.        Read the following ‘Short Story’ then giving analysis! This task as for your complementary daily tasks! The question in class XI MIPA 1 & 2 is the same as the question in class XI MIPA 3 & 4.
2.        Your task must be collected at the end of your English class on April 20th, 21th, and 22th, 2015 by the E-mail: hasyimsoppeng@gmail.com
Questions:
Direction:
Each of class works based on the instruction and answers the following questions!
1.       What are the Plot temporal sequences and Plot causal relationship of this story?
2.       What are the choices and pattern of choices of the author on her/his story?
3.       Explain and/or draw its Conflict, confliction, and climax of the story
4.       Explain whether the Characters of this story is called as discursive (flat) character,  dramatic or character on the other character of this story? (dramatic means the characters reveal to us themselves character through their own words and actions; character on the other character means what we know about A character is because of A tells much about B, but it actually explains much about A itself))
THIS TASK IS FOR THE XI MIPA 1 & 2
Jim Baker's Blue-Jay Yarn

One of Mark Twain's most famous short stories, Jim Baker's Blue-jay Yarn, was adapted from a campfire story told by Jim Gillis while Twain and Gillis were prospecting for gold during the winter of 1864-65. It must have been an interesting story in those circumstances; a story about Jays futilely filling a hole, told to men who were fruitlessly digging one. Twain transforms the original into a biting satire about human behavior and persistence.
Animals talk to each other, of course. There can be no question about that; but I suppose there are very few people who can understand them. I never knew but one man who could. I knew he could, however, because he told me so himself. He was a middle-aged, simple-hearted miner who had lived in a lonely corner of California, among the woods and mountains, a good many years, and had studied the ways of his only neighbors, the beasts and the birds, until he believed he could accurately translate any remark which they made. This was Jim Baker. According to Jim Baker, some animals have only a limited education, and use only very simple words, and scarcely ever a comparison or a flowery figure; whereas, certain other animals have a large vocabulary, a fine command of language and a ready and fluent delivery; consequently these latter talk a great deal; they like it; they are conscious of their talent, and they enjoy “showing off.” Baker said, that after long and careful observation, he had come to the conclusion that the blue-jays were the best talkers he had found among birds and beasts. Said he:—
“There’s more to a blue-jay than any other creature. He has got more moods, and more different kinds of feelings than other creature; and mind you, whatever a blue-jay feels, he can put into language. And no mere commonplace language, either, but rattling, out-and-out book-talk—and bristling with metaphor, too—just bristling! And as for command of language—why you never see a blue-jay get stuck for a word. No man ever did. They just boil out of him! And another thing: I’ve noticed a good deal, and there’s no bird, or cow, or anything that uses as good grammar as a blue-jay. You may say a cat uses good grammar. Well, a cat does—but you let a cat get excited, once; you let a cat get to pulling fur with another cat on a shed, nights, and you’ll hear grammar that will give you the lockjaw. Ignorant people think it’s the noise which fighting cats make that is so aggravating, but it ain’t so; it’s the sickening grammar they use. Now I’ve never heard a jay use bad grammar but very seldom; and when they do, they are as ashamed as a human; they shut right down and leave.
“You may call a jay a bird. Well, so he is, in a measure—because he’s got feathers on him, and don’t belong to no church, perhaps; but otherwise he is just as much a human as you be. And I’ll tell you for why. A jay’s gifts, and instincts, and feelings, and interests, cover the whole ground. A jay hasn’t got any more principle than a Congressman. A jay will lie, a jay will steal, a jay will deceive, a jay will betray; and four times out of five, a jay will go back on his solemnest promise. The sacredness of an obligation is a thing which you can’t cram into no blue-jay’s head. Now on top of all this, there’s another thing: a jay can out-swear any gentleman in the mines. You think a cat can swear. Well, a cat can; but you give a blue-jay a subject that calls for his reserve-powers, and where is your cat? Don’t talk to me—I know too much about this thing. And there’s yet another thing: in the one little particular of scolding—just good, clean, out-and-out scolding—a blue-jay can lay over anything, human or divine. Yes, sir, a jay is everything that a man is. A jay can cry, a jay can laugh, a jay can feel shame, a jay can reason and plan and discuss, a jay likes gossip and scandal, a jay has got a sense of humor, a jay knows when he is an ass just as well as you do—maybe better. If a jay ain’t human, he better take in his sign, that’s all. Now I’m going to tell you a perfectly true fact about some blue-jays.”
“When I first begun to understand jay language correctly, there was a little incident happened here. Seven years ago, the last man in this region but me, moved away. There stands his house,—been empty ever since; a log house, with a plank roof—just one big room, and no more; no ceiling—nothing between the rafters and the floor. Well, one Sunday morning I was sitting out here in front of my cabin, with my cat, taking the sun, and looking at the blue hills, and listening to the leaves rustling so lonely in the trees, and thinking of the home away yonder in the States, that I hadn’t heard from in thirteen years, when a blue jay lit on that house, with an acorn in his mouth, and says, ‘Hello, I reckon I’ve struck something.’ When he spoke, the acorn dropped out of his month and rolled down the roof, of course, but he didn’t care; his mind was all on the thing he had struck. It was a knot-hole in the roof. He cocked his head to one side, shut one eye and put the other one to the hole, like a ’possum looking down a jug; then he glanced up with his bright eyes, gave a wink or two with his wings—which signifies gratification, you understand,—and says, ‘It looks like a hole, it’s located like a hole,—blamed if I don’t believe it is a hole!’
details—walked round and round the hole and spied into it from every point of the compass. No use. Now he took a thinking attitude on the comb of the roof and scratched the back of his head with his right foot a minute, and finally says, ‘Well, it’s too many for me, that’s certain; must be a mighty long hole; however, I ain’t got no time to fool around here, I got to ’tend to business; I reckon it’s all right—chance it, anyway.’
“So he flew off and fetched another acorn and dropped it in, and tried to flirt his eye to the hole quick enough to see what become of it, but he was too late. He held his eye there as much as a minute; then he raised up and sighed, and says, ‘Consound it, I don’t seem to understand this thing, no way; however, I’ll tackle her again.’ He fetched another acorn, and done his level best to see what become of it, but he couldn’t. He says, ‘Well, I never struck no such a hole as this, before; I’m of the opinion it’s a totally new kind of a hole.’ Then he begun to get mad. He held in for a spell, walking up and down the comb of the roof and shaking his head and muttering to himself; but his feelings got the upper hand of him, presently, and he broke loose and cussed himself black in the face. I never see a bird take on so about a little thing. When he got through he walks to the hole and looks in again for half a minute; then he says, ‘Well, you’re a long hole, and a deep hole, and a mighty singular hole altogether—but I’ve started in to fill you, and I’m d—d if I don’t fill you, if it takes a hundred years!’
“And with that, away he went. You never see a bird work so since you was born. He laid into his work like a nigger, and the way he hove acorns into that hole for about two hours and a half was one of the most exciting and astonishing spectacles I ever struck. He never stopped to take a look any more—he just hove ’em in and went for more. Well at last he could hardly flop his wings, he was so tuckered out. He comes a-drooping down, once more, sweating like an ice-pitcher, drops his acorn in and says, ‘Now I guess I’ve got the bulge on you by this time!’ So he bent down for a look. If you’ll believe me, when his head come up again he was just pale with rage. He says, ‘I’ve shoveled acorns enough in there to keep the family thirty years, and if I can see a sign of one of ’em I wish I may land in a museum with a belly full of sawdust in two minutes!’ “He just had strength enough to crawl up on to the comb and lean his back agin the chimbly, and then he collected his impressions and begun to free his mind. I see in a second that what I had mistook for profanity in the mines was only just the rudiments, as you may say.
“Another jay was going by, and heard him doing his devotions, and stops to inquire what was up. The sufferer told him the whole circumstance, and says, ‘Now yonder’s the hole, and if you don’t believe me, go and look for yourself.’ So this fellow went and looked, and comes back and says, ‘How many did you say you put in there?’ ‘Not any less than two tons,’ says the sufferer. The other jay went and looked again. He couldn’t seem to make it out, so he raised a yell, and three more jays come. They all examined the hole, they all made the sufferer tell it over again, then they all discussed it, and got off as many leather-headed opinions about it as an average crowd of humans could have done.
“They called in more jays; then more and more, till pretty soon this whole region ’peared to have a blue flush about it. There must have been five thousand of them; and such another jawing and disputing and ripping and cussing, you never heard. Every jay in the whole lot put his eye to the hole and delivered a more chuckle-headed opinion about the mystery than the jay that went there before him. They examined the house all over, too. The door was standing half open, and at last one old jay happened to go and light on it and look in. Of course that knocked the mystery galley-west in a second. There lay the acorns, scattered all over the floor. He flopped his wings and raised a whoop. ‘Come here!’ he says, ‘Come here, everybody; hang’d if this fool hasn’t been trying to fill up a house with acorns!’ They all came a-swooping down like a blue cloud, and as each fellow lit on the door and took a glance, the whole absurdity of the contract that that first jay had tackled hit him home and he fell over backwards suffocating with laughter, and the next jay took his place and done the same.
“Well, sir, they roosted around here on the house-top and the trees for an hour, and guffawed over that thing like human beings. It ain’t any use to tell me a blue-jay hasn’t got a sense of humor, because I know better. And memory, too. They brought jays here from all over the United States to look down that hole, every summer for three years. Other birds too. And they could all see the point, except an owl that come from Nova Scotia to visit the Yo Semite, and he took this thing in on his way back. He said he couldn’t see anything funny in it. But then he was a good deal disappointed about Yo Semite, too.”


Jim Baker's Blue-Jay Yarn was featured as The Short Story of the Day on Thu, Jan 22, 2015


8.9

THIS TASK IS FOR THE STUDENTS OF XI MIPA 3 & 4
Eveline
SHE sat at the window watching the evening invade the avenue. Her head was leaned against the window curtains and in her nostrils was the odour of dusty cretonne. She was tired.
Few people passed. The man out of the last house passed on his way home; she heard his footsteps clacking along the concrete pavement and afterwards crunching on the cinder path before the new red houses. One time there used to be a field there in which they used to play every evening with other people's children. Then a man from Belfast bought the field and built houses in it -- not like their little brown houses but bright brick houses with shining roofs. The children of the avenue used to play together in that field -- the Devines, the Waters, the Dunns, little Keogh the cripple, she and her brothers and sisters. Ernest, however, never played: he was too grown up. Her father used often to hunt them in out of the field with his blackthorn stick; but usually little Keogh used to keep nix and call out when he saw her father coming. Still they seemed to have been rather happy then. Her father was not so bad then; and besides, her mother was alive. That was a long time ago; she and her brothers and sisters were all grown up her mother was dead. Tizzie Dunn was dead, too, and the Waters had gone back to England. Everything changes. Now she was going to go away like the others, to leave her home.
Home! She looked round the room, reviewing all its familiar objects which she had dusted once a week for so many years, wondering where on earth all the dust came from. Perhaps she would never see again those familiar objects from which she had never dreamed of being divided. And yet during all those years she had never found out the name of the priest whose yellowing photograph hung on the wall above the broken harmonium beside the coloured print of the promises made to Blessed Margaret Mary Alacoque. He had been a school friend of her father. Whenever he showed the photograph to a visitor her father used to pass it with a casual word:
"He is in Melbourne now."
She had consented to go away, to leave her home. Was that wise? She tried to weigh each side of the question. In her home anyway she had shelter and food; she had those whom she had known all her life about her. O course she had to work hard, both in the house and at business. What would they say of her in the Stores when they found out that she had run away with a fellow? Say she was a fool, perhaps; and her place would be filled up by advertisement. Miss Gavan would be glad. She had always had an edge on her, especially whenever there were people listening.
"Miss Hill, don't you see these ladies are waiting?"
"Look lively, Miss Hill, please."
She would not cry many tears at leaving the Stores.
But in her new home, in a distant unknown country, it would not be like that. Then she would be married -- she, Eveline. People would treat her with respect then. She would not be treated as her mother had been. Even now, though she was over nineteen, she sometimes felt herself in danger of her father's violence. She knew it was that that had given her the palpitations. When they were growing up he had never gone for her like he used to go for Harry and Ernest, because she was a girl but latterly he had begun to threaten her and say what he would do to her only for her dead mother's sake. And no she had nobody to protect her. Ernest was dead and Harry, who was in the church decorating business, was nearly always down somewhere in the country. Besides, the invariable squabble for money on Saturday nights had begun to weary her unspeakably. She always gave her entire wages -- seven shillings -- and Harry always sent up what he could but the trouble was to get any money from her father. He said she used to squander the money, that she had no head, that he wasn't going to give her his hard-earned money to throw about the streets, and much more, for he was usually fairly bad on Saturday night. In the end he would give her the money and ask her had she any intention of buying Sunday's dinner. Then she had to rush out as quickly as she could and do her marketing, holding her black leather purse tightly in her hand as she elbowed her way through the crowds and returning home late under her load of provisions. She had hard work to keep the house together and to see that the two young children who had been left to hr charge went to school regularly and got their meals regularly. It was hard work -- a hard life -- but now that she was about to leave it she did not find it a wholly undesirable life.
She was about to explore another life with Frank. Frank was very kind, manly, open-hearted. She was to go away with him by the night-boat to be his wife and to live with him in Buenos Ayres where he had a home waiting for her. How well she remembered the first time she had seen him; he was lodging in a house on the main road where she used to visit. It seemed a few weeks ago. He was standing at the gate, his peaked cap pushed back on his head and his hair tumbled forward over a face of bronze. Then they had come to know each other. He used to meet her outside the Stores every evening and see her home. He took her to see The Bohemian Girl and she felt elated as she sat in an unaccustomed part of the theatre with him. He was awfully fond of music and sang a little. People knew that they were courting and, when he sang about the lass that loves a sailor, she always felt pleasantly confused. He used to call her Poppens out of fun. First of all it had been an excitement for her to have a fellow and then she had begun to like him. He had tales of distant countries. He had started as a deck boy at a pound a month on a ship of the Allan Line going out to Canada. He told her the names of the ships he had been on and the names of the different services. He had sailed through the Straits of Magellan and he told her stories of the terrible Patagonians. He had fallen on his feet in Buenos Ayres, he said, and had come over to the old country just for a holiday. Of course, her father had found out the affair and had forbidden her to have anything to say to him.
"I know these sailor chaps," he said.
One day he had quarrelled with Frank and after that she had to meet her lover secretly.
The evening deepened in the avenue. The white of two letters in her lap grew indistinct. One was to Harry; the other was to her father. Ernest had been her favourite but she liked Harry too. Her father was becoming old lately, she noticed; he would miss her. Sometimes he could be very nice. Not long before, when she had been laid up for a day, he had read her out a ghost story and made toast for her at the fire. Another day, when their mother was alive, they had all gone for a picnic to the Hill of Howth. She remembered her father putting on her mothers bonnet to make the children laugh.
Her time was running out but she continued to sit by the window, leaning her head against the window curtain, inhaling the odour of dusty cretonne. Down far in the avenue she could hear a street organ playing. She knew the air Strange that it should come that very night to remind her of the promise to her mother, her promise to keep the home together as long as she could. She remembered the last night of her mother's illness; she was again in the close dark room at the other side of the hall and outside she heard a melancholy air of Italy. The organ-player had been ordered to go away and given sixpence. She remembered her father strutting back into the sickroom saying:
"Damned Italians! coming over here!"
As she mused the pitiful vision of her mother's life laid its spell on the very quick of her being -- that life of commonplace sacrifices closing in final craziness. She trembled as she heard again her mother's voice saying constantly with foolish insistence:
"Derevaun Seraun! Derevaun Seraun!"
She stood up in a sudden impulse of terror. Escape! She must escape! Frank would save her. He would give her life, perhaps love, too. But she wanted to live. Why should she be unhappy? She had a right to happiness. Frank would take her in his arms, fold her in his arms. He would save her.
She stood among the swaying crowd in the station at the North Wall. He held her hand and she knew that he was speaking to her, saying something about the passage over and over again. The station was full of soldiers with brown baggages. Through the wide doors of the sheds she caught a glimpse of the black mass of the boat, lying in beside the quay wall, with illumined portholes. She answered nothing. She felt her cheek pale and cold and, out of a maze of distress, she prayed to God to direct her, to show her what was her duty. The boat blew a long mournful whistle into the mist. If she went, tomorrow she would be on the sea with Frank, steaming towards Buenos Ayres. Their passage had been booked. Could she still draw back after all he had done for her? Her distress awoke a nausea in her body and she kept moving her lips in silent fervent prayer.
A bell clanged upon her heart. She felt him seize her hand:
"Come!"
All the seas of the world tumbled about her heart. He was drawing her into them: he would drown her. She gripped with both hands at the iron railing.
"Come!"
No! No! No! It was impossible. Her hands clutched the iron in frenzy. Amid the seas she sent a cry of anguish.
"Eveline! Evvy!"
He rushed beyond the barrier and called to her to follow. He was shouted at to go on but he still called to her. She set her white face to him, passive, like a helpless animal. Her eyes gave him no sign of love or farewell or recognition.


Eveline was featured as The Short Story of the Day on Wed, Sep 17, 2014


7.8

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